I take selfportraits for a long time now. It’s hard work but at same time something so natural for me and definitely something liberating. When my head is on the verge to explode and I can’t figure out how I feel and what’s going on I just take those images and they tell me exactly what I need to know.
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I believe that once the image is in the public stream-of-consciousness it belongs to the person viewing it and really leaves my grasp and its intentions. What you see and described is your perspective on my work which may or may not be truthful intentions that I carry with me as I snapped the image. I’m not a big fan of the idea that it reveals something about the photographer, because sometimes a photograph is just a photograph and nothing more to the creator, but can have an enormous impact on the viewer
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I love taking photos; it’s therapeutic to me. I’m a photographer who loves taking photos in the cities.
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“At the same moment right and left hand initially are getting far from each other, but if you look carefully they are meeting on the main theme” so much in my musical compositions as well as in my photos.
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Photography for me is a medium of expression, not just a hobby.
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Hello mr.Andy Cox and thank you for accepting to give this interview. Screenwritter, snapper, idiot, savant. These four words are on your description in your account. I see them in two pairs that set the stage of your antithetical portfolio. How do you define contrast into photography? Thanks very much, […]
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I had the pleasure of following you since my early days on Instagram and I was and still am amazed by all the little stories that your photos carry. For example, this is a stereotypical grandmother that poses as shy as a girl, how did you manage this shot? Firstly, […]
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Self-portrait photography: I think that to enjoy this “power” of photography, one has to be a certain type a person, have a certain type of personality: it’s almost this unique blend of vanity mixed with self-criticism, or self-deprecation. I would describe it as being “an ego-maniac with low self-esteem” to borrow a phrase I once heard. You have to be brave and a little twisted to enjoy this process, I think. Your issues, fears, quirks and conceits are all revealed by the camera. There is no hiding anything when you are both behind and in-front of your own lens.
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Sopho Sikharulidze is a talented young photographer from Georgia whose look on the things around her is fresh and the human element in the photo is indispensable. In the interview that follows, she explains why. You are a mystery. No bio, no info, nothing to indicate something more personal than […]
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The photos I take tend to reference specific projects rather than being random images, so all the other activity is integral. My shooting opportunities are also reliant on other people and forces outside of my direct control.
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