I’ve always had a real passion for visual anthropology. I’m not an anthropologist myself, but I love observing and studying human beings, especially from a photographic point of view.
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I try to create something new with the illusion of reality that photography offers. I like my visual world to be self-sufficient.
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I am a deep believer in the power of photography as a force for good. If something happened and was never documented, it is like it never occurred. Half of my life now been traveling the world to document stories that matter. The mediums changed however, credibility, ethics and integrity will always remain the keys.
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I photograph because I have fun and it helps me to process the tensions of being alive.
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I like the uncorrupted, innocent, naïve quality of adolescence. In my experience, the young people have been wonderful to work with. – Michal Chelbin
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Photographs carry proof that randomness is justified, that it is part of a coincidence, and even “nothing” is not something random
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For the poetics was always asked to share images responding to a phenomenological – poetic approach of the space.
Postcards from home is a platform open to all those who reflect and create on the concept of home.
“It’s usually, after I’ve taken a picture, that I understand the reason why I took it out,” says photographer Lily Zoumpouli (Lily Lilac). Like diving in a world “out of our own individuality” with one main pursuit, with a code: “Kill your Idols”. And yes, the truth is, you can […]
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I take selfportraits for a long time now. It’s hard work but at same time something so natural for me and definitely something liberating. When my head is on the verge to explode and I can’t figure out how I feel and what’s going on I just take those images and they tell me exactly what I need to know.
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I believe that once the image is in the public stream-of-consciousness it belongs to the person viewing it and really leaves my grasp and its intentions. What you see and described is your perspective on my work which may or may not be truthful intentions that I carry with me as I snapped the image. I’m not a big fan of the idea that it reveals something about the photographer, because sometimes a photograph is just a photograph and nothing more to the creator, but can have an enormous impact on the viewer
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