Maria Oliveira – I am more interested in the suggestion than in the explanation
Michal Chelbin: “Επιθυμώ ο καθένας να έχει πρόσβαση στα έργα μου, και όχι αποκλειστικά οι άνθρωποι με καλλιτεχνικό υπόβαθρο”

Michal Chelbin: “Επιθυμώ ο καθένας να έχει πρόσβαση στα έργα μου, και όχι αποκλειστικά οι άνθρωποι με καλλιτεχνικό υπόβαθρο”

Μου αρέσει το αδιάφθορο, η αθωότητα και η αφέλεια της εφηβείας. Από την εμπειρία μου, οι νέοι άνθρωποι είναι θαυμάσιοι να δουλεύεις μαζί τους – Michal Chelbin

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Michal Chelbin: “I want my works to be accessible to everyone, not exclusively to people with an art background”

Michal Chelbin: “I want my works to be accessible to everyone, not exclusively to people with an art background”

I like the uncorrupted, innocent, naïve quality of adolescence. In my experience, the young people have been wonderful to work with. – Michal Chelbin

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Evi Karagiannidi: Photographs carry proof that randomness is justified, that it is part of a coincidence, and even “nothing” is not something random
Photini Papahatzi, Karla Guerrero:”There are differences and there are similarities too”

Photini Papahatzi, Karla Guerrero:”There are differences and there are similarities too”

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For the poetics was always asked to share images responding to a phenomenological – poetic approach of the space.
Postcards from home is a platform open to all those who reflect and create on the concept of home.

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Lily Zoumpouli: “In the end, we are the stories we tell ourselves”

Lily Zoumpouli: “In the end, we are the stories we tell ourselves”

“It’s usually, after I’ve taken a picture, that I understand the reason why I took it out,” says photographer Lily Zoumpouli (Lily Lilac). Like diving in a world “out of our own individuality” with one main pursuit, with a code: “Kill your Idols”. And yes, the truth is, you can […]

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Chantal Convertini: “I’m a very good observer, I keep being present and then things start to catch my eye naturally”

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I take selfportraits for a long time now. It’s hard work but at same time something so natural for me and definitely something liberating. When my head is on the verge to explode and I can’t figure out how I feel and what’s going on I just take those images and they tell me exactly what I need to know.

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Richard Koci Hernandez: “Once the image is in the public stream-of-consciousness it belongs to the person viewing it and really leaves my grasp and its intentions”

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I believe that once the image is in the public stream-of-consciousness it belongs to the person viewing it and really leaves my grasp and its intentions. What you see and described is your perspective on my work which may or may not be truthful intentions that I carry with me as I snapped the image. I’m not a big fan of the idea that it reveals something about the photographer, because sometimes a photograph is just a photograph and nothing more to the creator, but can have an enormous impact on the viewer

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Mena Sambiasi: “In my way of seeing, a photo depicts moments in time and a lot of wondering”
Albert Venturero: “Nothing in photography is correct, but it is real”

Albert Venturero: “Nothing in photography is correct, but it is real”

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“At the same moment right and left hand initially are getting far from each other, but if you look carefully they are meeting on the main theme” so much in my musical compositions as well as in my photos.

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