I don’t think photography has a veracity quality, whatever the type of photography. Even in documentary photography and photojournalism, which by essence aim at describing the “truth”, if such a thing exists, the choice of lens, angle, framing or the light, all influence the way the viewer will experience the image.
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As a photographer, I’ve always been fascinated by the way photography encapsulates time- especially through long or very long exposures. Much of photography’s history has been shaped by a race toward instantaneity, and the “decisive moment.”
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Η Blank Wall Gallery ξεκινάει τις εκθέσεις για την περίοδο 2024-2025 με την ατομική έκθεση του Till Schmitz με τίτλο “In the Dark”.
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I’ve always had a real passion for visual anthropology. I’m not an anthropologist myself, but I love observing and studying human beings, especially from a photographic point of view.
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I try to create something new with the illusion of reality that photography offers. I like my visual world to be self-sufficient.
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I am a deep believer in the power of photography as a force for good. If something happened and was never documented, it is like it never occurred. Half of my life now been traveling the world to document stories that matter. The mediums changed however, credibility, ethics and integrity will always remain the keys.
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I photograph because I have fun and it helps me to process the tensions of being alive.
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I like the uncorrupted, innocent, naïve quality of adolescence. In my experience, the young people have been wonderful to work with. – Michal Chelbin
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Photographs carry proof that randomness is justified, that it is part of a coincidence, and even “nothing” is not something random
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For the poetics was always asked to share images responding to a phenomenological – poetic approach of the space.
Postcards from home is a platform open to all those who reflect and create on the concept of home.